Adult Book Club kits

“Faith, I tell them, is a mystery, elusive to many, and never easy to explain. Sweeping and lyrical, spellbinding and unforgettable, David Ebershoff’s The 19th Wife combines epic historical fiction with a modern murder mystery to create a brilliant novel of literary suspense. It is 1875, and Ann Eliza Young has recently separated from her powerful husband, Brigham Young, prophet and leader of the Mormon Church. Expelled and an outcast, Ann Eliza embarks on a crusade to end polygamy in the United States. A rich account of a family’s polygamous history is revealed, including how a young woman became a plural wife. Soon after Ann Eliza’s story begins, a second exquisite narrative unfolds–a tale of murder involving a polygamist family in present-day Utah. Jordan Scott, a young man who was thrown out of his fundamentalist sect years earlier, must reenter the world that cast him aside in order to discover the truth behind his father’s death. And as Ann Eliza’s narrative intertwines with that of Jordan’s search, readers are pulled deeper into the mysteries of love and faith. Praise for The 19th Wife “This exquisite tour de force explores the dark roots of polygamy and its modern-day fruit in a renegade cult…Ebershoff (The Danish Girl) brilliantly blends a haunting fictional narrative by Ann Eliza Young, the real-life 19th ‘rebel’ wife of Mormon leader Brigham Young, with the equally compelling contemporary narrative of fictional Jordan Scott, a 20-year-old gay man. With the topic of plural marriage and its shattering impact on women and powerless children in today’s headlines, this novel is essential reading for anyone seeking understanding of the subject.” Publishers Weekly, Starred and Pick of the Week; From the Hardcover edition.

A novel to live in, learn from, and feel bereft over when the last page is turned, Doerr’s magnificently drawn story seems at once spacious and tightly composed. It rests, historically, during the occupation of France during WWII, but brief chapters told in alternating voices give the overall—and long—­narrative a swift movement through time and events. We have two main characters, each one on opposite sides in the conflagration that is destroying Europe. Marie-Louise is a sightless girl who lived with her father in Paris before the occupation; he was a master locksmith for the Museum of Natural History. When German forces necessitate abandonment of the city, Marie-Louise’s father, taking with him the museum’s greatest treasure, removes himself and his daughter and eventually arrives at his uncle’s house in the coastal city of Saint-Malo. Young German soldier Werner is sent to Saint-Malo to track Resistance activity there, and eventually, and inevitably, Marie-Louise’s and Werner’s paths cross. It is through their individual and intertwined tales that Doerr masterfully and knowledgeably re-creates the deprived civilian conditions of war-torn France and the strictly controlled lives of the military occupiers.–Booklist

Enzo knows he is different from other dogs: a philosopher with a nearly human soul (and an obsession with opposable thumbs), he has educated himself by watching television extensively, and by listening very closely to the words of his master, Denny Swift, an up-and-coming race car driver. Through Denny, Enzo has gained tremendous insight into the human condition, and he sees that life, like racing, isn’t simply about going fast. Using the techniques needed on the race track, one can successfully navigate all of life’s ordeals.
On the eve of his death, Enzo takes stock of his life, recalling all that he and his family have been through: the sacrifices Denny has made to succeed professionally; the unexpected loss of Eve, Denny’s wife; the three-year battle over their daughter, Zoë, whose maternal grandparents pulled every string to gain custody. In the end, despite what he sees as his own limitations, Enzo comes through heroically to preserve the Swift family, holding in his heart the dream that Denny will become a racing champion with Zoë at his side.
A heart-wrenching but deeply funny and ultimately uplifting story of family, love, loyalty, and hope, The Art of Racing in the Rain is a beautifully crafted and captivating look at the wonders and absurdities of human life…as only a dog could tell it.—amazon.com

“It’s just a small story really, about among other things: a girl, some words, an accordionist, some fanatical Germans, a Jewish fist-fighter, and quite a lot of thievery. . . .Set during World War II in Germany, Markus Zusak’s groundbreaking new novel is the story of Liesel Meminger, a foster girl living outside of Munich. Liesel scratches out a meager existence for herself by stealing when she encounters something she can’t resist – books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement before he is marched to Dachau. This is an unforgettable story about the ability of books to feed the soul.”-book jacket

If Jesse Owens is rightfully the most famous American athlete of the 1936 Berlin Olympics, repudiating Adolf Hitler’s notion of white supremacy by winning gold in four events, the gold-medal-winning effort by the eight-man rowing team from the University of Washington remains a remarkable story. It encompasses the convergence of transcendent British boatmaker George Pocock; the quiet yet deadly effective UW men’s varsity coach, Al Ulbrickson; and an unlikely gaggle of young rowers who would shine as freshmen, then grow up together, a rough-and-tumble bunch, writes Brown, not very worldly, but earnest and used to hard work. Brown (Under a Flaming Sky, 2006) takes enough time to profile the principals in this story while using the 1936 games and Hitler’s heavy financial and political investment in them to pull the narrative along. In doing so, he offers a vivid picture of the socioeconomic landscape of 1930s America (brutal), the relentlessly demanding effort required of an Olympic-level rower, the exquisite brainpower and materials that go into making a first-rate boat, and the wiles of a coach who somehow found a way to, first, beat archrival University of California, then conquer a national field of qualifiers, and finally, defeat the best rowing teams in the world. A book that informs as it inspires.—Booklist

“The Edgar Award–winning novel, A Conspiracy of Paper, was one of the most acclaimed debuts of 2000. In his richly suspenseful second novel, author David Liss once again travels back in time to a crucial moment in cultural and financial history. His destination: Amsterdam, 1659—a mysterious world of trade populated by schemers and rogues, where deception rules the day. On the world’s first commodities exchange, fortunes are won and lost in an instant. Miguel Lienzo, a sharp-witted trader in the city’s close-knit community of Portuguese Jews, knows this only too well. Once among the city’s most envied merchants, Miguel has lost everything in a sudden shift in the sugar markets. Now, impoverished and humiliated, living on the charity of his petty younger brother, Miguel must find a way to restore his wealth and reputation. Miguel enters into a partnership with a seduc-tive Dutchwoman who offers him one last chance at success—a daring plot to corner the market of an astonishing new commodity called “coffee.” To succeed, Miguel must risk everything he values and test the limits of his commercial guile, facing not only the chaos of the markets and the greed of his competitors, but also a powerful enemy who will stop at nothing to see him ruined. Miguel will learn that among Amsterdam’s ruthless businessmen, betrayal lurks everywhere, and even friends hide secret agendas. With humor, imagination, and mystery, David Liss depicts a world of subterfuge, danger, and repressed longing, where religious and cultural traditions clash with the demands of a new and exciting way of doing business. Readers of historical suspense and lovers of coffee (even decaf) will be up all night with this beguiling novel.”Publisher’s Weekly.

On May 1st, 1915 the Lusitania set sail on its final voyage. That it was sunk by a German U-boat will be news to few—and Larson’s challenge is to craft a historical narrative leading up to the thrilling, if known, conclusion, building anticipation in his readers along the way. To his credit, he makes the task look easy. Focusing on the politics of WWI, on nautical craftsmanship and strategy, and on key players in the eventual attack and sinking of the “fast, comfortable, and beloved” Lusitania, Larson once again illustrates his gift for seducing us with history and giving it a human face. Dead Wake puts readers right aboard the famous Cunard liner and keeps them turning the pages until the book’s final, breathless encounter.(amazon.com)

A revelation, from the most accomplished and acclaimed of contemporary short story writers. It’s no surprise that every story…is rewarding and that the best are stunning. They leave the reader wondering how the writer manages to invoke the deepest, most difficult truths of human existence in the most plainspoken language…. The author knows what matters, and the stories pay attention to it.—Kirkus Reviews

A fast, compelling, and compulsively readable courtroom drama, Defending Jacob tells the story of a district attorney’s son who is accused of killing a classmate. As the father attempts to prove his son’s innocence, Landay explores uncomfortable territory: can a tendency toward violence be inherited? Is the capacity for murder a genetic disposition? The author, a former district attorney, gets the taut nuances just right, capturing the subtleties of a trial in a packed courtroom, where a small rustle or murmur can signify a lot. In the end Landay pulls off a clever plot device that doesn’t reveal itself until the final pages.(amazon.com)

A good unreliable narrator is one of the most satisfying characters a novelist can dream up–and Herman Koch takes us on a hell of a ride through the mind of Paul Lohman, the deliciously sinister host of The Dinner. Paul’s 15-year-old son, Michel, has committed an unspeakable crime; his brother, on the cusp of becoming the Netherlands’ next prime minister, has a delicate wife and two teenagers who share Michel’s secret; Paul’s wife, Claire, will do anything to protect their boy. As the two couples inch through an excruciating meal at a chic restaurant–their children’s whereabouts uncertain–Paul peels back the layers of their situation, weaving to and fro through time and truth. Koch’s finely structured story gives away just enough on each page to keep us riveted, feeling like private investigators on the verge of discovery, until the shock of an ending. It’s no small feat for the author that the less we trust Paul, the more we want to hear what he has to say.—amazon.com

Alice Hoffman’s most ambitious and mesmerizing novel, a tour de force of research and imagination. Nearly two thousand years ago, nine hundred Jews held out for months against armies of Romans on Masada, a mountain in the Judean desert. According to the ancient historian Josephus, two women and five children survived. Based on this tragic and iconic event, Hoffman’s novel is a spellbinding tale of four extraordinarily bold, resourceful, and sensuous women, each of whom has come to Masada by a different path. Yael’s mother died in childbirth, and her father, an expert assassin, never forgave her for that death. Revka, a village baker’s wife, watched the murder of her daughter by Roman soldiers; she brings to Masada her young grandsons, rendered mute by what they have witnessed. Aziza is a warrior’s daughter, raised as a boy, a fearless rider and expert marksman who finds passion with a fellow soldier. Shirah, born in Alexandria, is wise in the ways of ancient magic and medicine, a woman with uncanny insight and power. The lives of these four complex and fiercely independent women intersect in the desperate days of the siege. All are dovekeepers, and all are also keeping secrets—about who they are, where they come from, who fathered them, and whom they love.—amazon.com

“At the age of thirty-one, Gilbert moved with her husband to the suburbs of New York and began trying to get pregnant, only to realize that she wanted neither a child nor a husband. Three years later, after a protracted divorce, she embarked on a yearlong trip of recovery, with three main stops: Rome, for pleasure (mostly gustatory, with a special emphasis on gelato); an ashram outside of Mumbai, for spiritual searching; and Bali, for “balancing.” These destinations are all on the beaten track, but Gilbert’s exuberance and her self-deprecating humor enliven the proceedings: recalling the first time she attempted to speak directly to God, she says, “It was all I could do to stop myself from saying, ‘I’ve always been a big fan of your work.'” -The New Yorker

“Marina Thwaite, Danielle Minkoff and Julian Clarke were buddies at Brown, certain that they would soon do something important in the world. But as all near 30, Danielle is struggling as a TV documentary maker, and Julius is barely surviving financially as a freelance critic. Marina, the startlingly beautiful daughter of celebrated social activist, journalist and hob-nobber Murray Thwaite, is living with her parents on the Upper West Side, unable to finish her book”titled The Emperor’s Children Have No Clothes (on how changing fashions in children’s clothes mirror changes in society). Two arrivals upset the group stasis: Ludovic, a fiercely ambitious Aussie who woos Marina to gain entrée into society (meanwhile planning to destroy Murray’s reputation), and Murray’s nephew, Frederick “Bootie” Tubb, an immature, idealistic college dropout and autodidact who is determined to live the life of a New York intellectual. The group orbits around the post”September 11 city with disconcerting entitlement”and around Murray, who is, in a sense, the emperor. Messud, in her fourth novel, remains wickedly observant of pretensions”intellectual, sexual, class and gender. Her writing is so fluid, and her plot so cleverly constructed, that events seem inevitable, yet the narrative is ultimately surprising and masterful as a contemporary comedy of manners.”- Publisher’s Weekly

Winner of the 2017 Pulitzer Prize for General Non-Fiction: It’s the rare writer who can capture a social ill with a clear-eyed, nonjudgmental tone and still allow the messiness of real people its due. Matthew Desmond does just that with Evicted as he explores the stories of tenants and landlords in the poorest areas of Milwaukee during 2008 and 2009. It’s almost always a compliment to say that a nonfiction book reads like a novel and this one does – mostly because Desmond gets very close to the “characters,” relating their words and thoughts and layering on enough vibrant details to make every rented property or trailer come alive. You can almost forget that these are actual people with actual problems until he delivers a raw jolt of reality: the woman who’s evicted because her boyfriend beats her up; the tenant whose baby daughter dies in a house fire; the tenant who pushes a “friend” out a window for using all her cell phone minutes; the landlord who refuses to fix stopped-up pipes, so tenants allow garbage and sewage to pile up in the property. Through both personal stories and data, Desmond proves that eviction undermines self, family, and community, bearing down disproportionately hard on women with children. In Milwaukee, being behind on rent gives landlords the opening to serve an eviction notice, which leads to a court date. On the face of it, it may seem easy to side with the landlords—of course tenants should pay their rent. But as Evicted pulls back layer after layer, what’s exposed is a cycle of hurt that all parties—landlord, tenant, city—inflict on one another. Whether readers agree with Desmond’s conclusions for how to break this cycle in order to strengthen families and neighborhoods, it’s obvious by the end of Evicted that there is no easy fix, and that people—some addicts, some criminals—will slip through the cracks. But it should be just as obvious that we must still try. -amazon.com

“Syrian immigrant Khadra Shamy is growing up in a devout, tightly knit Muslim family in 1970s Indiana, at the crossroads of bad polyester and Islamic dress codes. Along with her brother Eyad and her African-American friends, Hakim and Hanifa, she bikes the Indianapolis streets exploring the fault-lines between “Muslim” and “American.”
When her picture-perfect marriage goes sour, Khadra flees to Syria and learns how to pray again. On returning to America she works in an eastern state — taking care to stay away from Indiana, where the murder of her friend Tayiba’s sister by Klan violence years before still haunts her. But when her job sends her to cover a national Islamic conference in Indianapolis, she’s back on familiar ground: Attending a concert by her brother’s interfaith band The Clash of Civilizations, dodging questions from the “aunties” and “uncles,” and running into the recently divorced Hakim everywhere. Beautifully written and featuring an exuberant cast of characters, The Girl in the Tangerine Scarf charts the spiritual and social landscape of Muslims in middle America, from five daily prayers to the Indy 500 car race. It is a riveting debut from an important new voice.”-book jacket

Donna Tartt’s latest novel clocks in at an unwieldy 784 pages. The story begins with an explosion at the Metropolitan Museum that kills narrator Theo Decker’s beloved mother and results in his unlikely possession of a Dutch masterwork called The Goldfinch. Shootouts, gangsters, pillowcases, storage lockers, and the black market for art all play parts in the ensuing life of the painting in Theo’s care. With the same flair for suspense that made The Secret History (1992) such a masterpiece, The Goldfinch features the pulp of a typical bildungsroman—Theo’s dissolution into teenage delinquency and climb back out, his passionate friendship with the very funny Boris, his obsession with Pippa (a girl he first encounters minutes before the explosion)—but the painting is the novel’s secret heart. Theo’s fate hinges on the painting, and both take on depth as it steers Theo’s life. Some sentences are clunky (suddenly and meanwhile abound), metaphors are repetitive (Theo’s mother is compared to birds three times in 10 pages), and plot points are overly coincidental (as if inspired by TV), but there’s a bewitching urgency to the narration that’s impossible to resist. Theo is magnetic, perhaps because of his well-meaning criminality. The Goldfinch is a pleasure to read; with more economy to the brushstrokes, it might have been great. (Publisher’s Weekly)

In this compelling hybrid of memoir and sociological analysis, Vance digs deep into his upbringing in the hills of Jackson, Ky., and the suburban enclave of Middletown, Ohio. He chronicles with affection—and raw candor—the foibles, shortcomings, and virtues of his family and their own attempts to live their lives as working-class people in a middle-class world. Readers get to know his tough-as-nails grandmother, Mawmaw, who almost killed a man when she was 12 in Jackson, but who has to live among the sewing circles of Middletown. Her love for children, and for her grandson in particular, fuels her dream to become a children’s attorney. When Vance finishes high school, he’s not ready to head off to Ohio State, so Vance joins the Marines, completes a tour of duty in Iraq, and returns home with a surer sense of what he wants out of life and how to get it. He eventually enrolls in Yale Law School and becomes a successful lawyer, doggedly reflecting on the keys to his own success—family and community—and the ways they might help him understand the issues at stake in social policies today. Vance observes that hillbillies like himself are helped not by government policy but by community that empowers them and extended family who encourages them to take control of their own destinies. Vance’s dynamic memoir takes a serious look at class. -Publisher’s Weekly

“Sentimental, heartfelt novel portrays two children separated during the internment of Japanese-Americans during World War II. In 1940s Seattle, ethnicities do not mix. Whites, blacks, Chinese and Japanese live in separate neighborhoods, and their children attend different schools. When Henry Lee’s staunchly nationalistic father pins an “I am Chinese” button to his 12-year-old son’s shirt and enrolls him in an all-white prep school, Henry finds himself friendless and at the mercy of schoolyard bullies. His salvation arrives in the form of Keiko, a Japanese girl with whom Henry forms an instant—and forbidden—bond. The occasionally sappy prose tends to overtly express subtleties that readers would be happier to glean for themselves, but the tender relationship between the two young people is moving. The older Henry, a recent widower living in 1980s Seattle, reflects in a series of flashbacks on his burgeoning romance with Keiko and its abrupt ending when her family was evacuated. A chance discovery of items left behind by Japanese-Americans during the evacuation inspires Henry to share his and Keiko’s story with his own son, in hopes of preventing the dysfunctional parent-child relationship he experienced with his own father. The major problem here is that Henry’s voice always sounds like that of a grown man, never quite like that of a child; the boy of the flashbacks is jarringly precocious and not entirely credible. Still, the exploration of Henry’s changing relationship with his family and with Keiko will keep most readers turning pages while waiting for the story arc to come full circle, despite the overly flowery portrait of young love, cruel fate and unbreakable bonds. A timely debut that not only reminds readers of a shameful episode in American history, but cautions us to examine the present and take heed we don’t repeat those injustices.” – Kirkus

Australian author Moriarty, in her fifth novel (after The Hypnotist’s Love Story), puts three women in an impossible situation and doesn’t cut them any slack. Cecilia Fitzpatrick lives to be perfect: a perfect marriage, three perfect daughters, and a perfectly organized life. Then she finds a letter from her husband, John-Paul, to be opened only in the event of his death. She opens it anyway, and everything she believed is thrown into doubt. Meanwhile, Tess O’Leary’s husband, Will, and her cousin and best friend, Felicity, confess they’ve fallen in love, so Tess takes her young son, Liam, and goes to Sydney to live with her mother. There she meets up with an old boyfriend, Connor Whitby, while enrolling Liam in St. Angela’s Primary School, where Cecilia is the star mother. Rachel Crowley, the school secretary, believes that Connor, St. Angela’s PE teacher, is the man who, nearly three decades before, got away with murdering her daughter—a daughter for whom she is still grieving. Simultaneously a page-turner and a book one has to put down occasionally to think about and absorb, Moriarty’s novel challenges the reader as well as her characters, but in the best possible way.—Publisher’s Weekly

From a single, abbreviated life grew a seemingly immortal line of cells that made some of the most crucial innovations in modern science possible. And from that same life, and those cells, Rebecca Skloot has fashioned in The Immortal Life of Henrietta Lacks a fascinating and moving story of medicine and family, of how life is sustained in laboratories and in memory. Henrietta Lacks was a mother of five in Baltimore, a poor African American migrant from the tobacco farms of Virginia, who died from a cruelly aggressive cancer at the age of 30 in 1951. A sample of her cancerous tissue, taken without her knowledge or consent, as was the custom then, turned out to provide one of the holy grails of mid-century biology: human cells that could survive–even thrive–in the lab. Known as HeLa cells, their stunning potency gave scientists a building block for countless breakthroughs, beginning with the cure for polio. Meanwhile, Henrietta’s family continued to live in poverty and frequently poor health, and their discovery decades later of her unknowing contribution–and her cells’ strange survival–left them full of pride, anger, and suspicion. For a decade, Skloot doggedly but compassionately gathered the threads of these stories, slowly gaining the trust of the family while helping them learn the truth about Henrietta, and with their aid she tells a rich and haunting story that asks the questions, Who owns our bodies? And who carries our memories?—amazon.com

In the Garden of Beasts is a vivid portrait of Berlin during the first years of Hitler’s reign, brought to life through the stories of two people: William E. Dodd, who in 1933 became America’s first ambassador to Hitler’s regime, and his scandalously carefree daughter, Martha. Ambassador Dodd, an unassuming and scholarly man, is an odd fit among the extravagance of the Nazi elite. His frugality annoys his fellow Americans in the State Department and Dodd’s growing misgivings about Hitler’s ambitions fall on deaf ears among his peers, who are content to “give Hitler everything he wants.” Martha, on the other hand, is mesmerized by the glamorous parties and the high-minded conversation of Berlin’s salon society—and flings herself headlong into numerous affairs with the city’s elite, most notably the head of the Gestapo and a Soviet spy. Both become players in the exhilarating (and terrifying) story of Hitler’s obsession for absolute power, which culminates in the events of one murderous night, later known as “the Night of Long Knives.” The rise of Nazi Germany is a well-chronicled time in history, which makes In the Garden of Beasts all the more remarkable. Erik Larson has crafted a gripping, deeply-intimate narrative with a climax that reads like the best political thriller, where we are stunned with each turn of the page, even though we already know the outcome—amazon.com

Alvarez’s award-winning first novel (How the Garcia Girls Lost Their Accents, LJ 5/1/91) is more than matched by her second. Butterflies is based on the lives of the four Mirabel sisters (code name: “Mariposas,” that is, butterflies), three of whom were martyred in 1960 during the liberation of the Dominican Republic from the dictator Trujillo. Through the surviving sister, Dede, as well as memories of Minerva, Patria, and Maria Teresa, we discover the compelling forces behind each sister’s role in the struggle for freedom. As Alvarez says “A novel is not, after all, a historical document, but a way to travel through the human heart.” Though murder, torture, and imprisonment are ever-present, she wisely chooses to focus on the personal lives of these young wives and mothers, full of love, beauty, and, especially, hope. Highly recommended for its luminescence and relevance.-Rebecca S. Kelm, Library Journal

In the early 1830s, Sarah Grimké and her younger sister, Angelina, were the most infamous women in America. They had rebelled so vocally against their family, society, and their religion that they were reviled, pursued, and exiled from their home city of Charleston, South Carolina, under threat of death. Their crime was speaking out in favor of liberty and equality and for African American slaves and women, arguments too radically humanist even for the abolitionists of their time. Their lectures drew crowds of thousands, even (shockingly, then) men, and their most popular pamphlet directly inspired Harriet Beecher Stowe’s Uncle Tom’s Cabin–published 15 years later. These women took many of the first brutal backlashes against feminists and abolitionists, but even their names are barely known now. Sue Monk Kidd became fascinated by these sisters, and the question of what compelled them to risk certain fury and say with the full force of their convictions what others had not (or could not). She discovered that in 1803, when Sarah turned 11, her parents gave her the “human present” of 10-year-old Hetty to be her handmaid, and Sarah taught Hetty to read, an act of rebellion met with punishment so severe that the slave girl died of “an unspecified disease” shortly after her beating. Kidd knew then that she had to try to bring Hetty back to life (“I would imagine what might have been,” she tells us), and she starts these girls’ stories here, both cast in roles they despise. She trades chapters between their voices across decades, imagining the Grimké sisters’ courageous metamorphosis and, perhaps more vitally, she gives Hetty her own life of struggle and transformation. Few characters have ever been so alive to me as Hetty and Sarah. Long after you finish this book, you’ll feel its courageous heart beating inside your own—amazon.com

“When Laura Fraser’s husband leaves her for his high school sweetheart, she takes off, on impulse, for Italy, hoping to leave some of her sadness behind. There, on the island of Ischia, she meets M., an aesthetics professor from Paris with an oversized love of life. What they both assume will be a casual vacation tryst turns into a passionate, transatlantic love affair, as they rendezvous in London, Marrakech, Milan, the Aeolian Islands, and San Francisco. Each encounter is a delirious immersion into place (sumptuous food and wine, dazzling scenery, lush gardens, and vibrant streetscapes) and into each other. And with each experience, Laura brings home not only a lasting sense of pleasure, but a more fully recovered sense of her emotional and sexual self. Written with an observant eye, an open mind, and a delightful sense of humor, An Italian Affair has the irresistible honesty of a story told from and about the heart.”-book jacket

An Amazon Best Book of April 2017: In the 1920s, the Osage found themselves in a unique position among Native Americans tribes. As other tribal lands were parceled out in an effort by the government to encourage dissolution and assimilation of both lands and culture, the Osage negotiated to maintain the mineral rights for their corner of Oklahoma, creating a kind of “underground reservation.” It proved a savvy move; soon countless oil rigs punctured the dusty landscape, making the Osage very rich. And that’s when they started dying. You’d think the Osage Indian Reservation murders would have been a bigger story, one as familiar as the Lindbergh kidnapping or Bonnie and Clyde. It has everything, but at scale: Execution-style shootings, poisonings, and exploding houses drove the body count to over two dozen, while private eyes and undercover operatives scoured the territory for clues. Even as legendary and infamous oil barons vied for the most lucrative leases, J. Edgar Hoover’s investigation – which he would leverage to enhance both the prestige and power of his fledgling FBI – began to overtake even the town’s most respected leaders. Exhuming the massive amount of detail is no mean feat, and it’s even harder to make it entertaining. But journalist David Grann knows what he’s doing. With the same obsessive attention to fact – in service to storytelling – as The Lost City of Z, Killers of the Flower Moon reads like narrative-nonfiction as written by James M. Cain (there are, after all, insurance policies involved): smart, taut, and pacey. Most sobering, though, is how the tale is at once unsurprising and unbelievable, full of the arrogance, audacity, and inhumanity that continues to reverberate through today’s headlines. –(amazon.com)

Grissom’s unsentimental debut twists the conventions of the antebellum novel just enough to give readers an involving new perspective on what would otherwise be fairly stock material. Lavinia, an orphaned seven-year-old white indentured servant, arrives in 1791 to work in the kitchen house at Tall Oaks, a Tidewater, Va., tobacco plantation owned by Capt. James Pyke. Belle, the captain’s illegitimate half-white daughter who runs the kitchen house, shares narration duties, and the two distinctly different voices chronicle a troublesome 20 years: Lavinia becomes close to the slaves working the kitchen house, but she can’t fully fit in because of her race. At 17, she marries Marshall, the captain’s brutish son turned inept plantation master, and as Lavinia ingratiates herself into the family and the big house, racial tensions boil over into lynching, rape, arson, and murder. The plantation’s social order’s emphasis on violence, love, power, and corruption provides a trove of tension and grit, while the many nefarious doings will keep readers hooked to the twisted, yet hopeful, conclusion.—Publisher’s Weekly

Diffenbaugh’s affecting debut chronicles the first harrowing steps into adulthood taken by a deeply wounded soul who finds her only solace in an all-but-forgotten language. On her 18th birthday, Victoria Jones ages out of the foster care system, a random series of living arrangements around the San Francisco Bay Area the only home she’s ever known. Unable to express herself with words, she relies on the Victorian language of flowers to communicate: dahlias for “dignity”; rhododendron for “beware.” Released from care with almost nothing, Victoria becomes homeless, stealing food and sleeping in McKinley Square, in San Francisco, where she maintains a small garden. Her secret knowledge soon lands her a job selling flowers, where she meets Grant, a mystery man who not only speaks her language, but also holds a crucial key to her past. Though Victoria is wary of almost everyone, she opens to Grant, and he reconnects her with the only person who has ever mattered in her life. Diffenbaugh’s narrator is a hardened survivor and wears her damage on her sleeve. Struggling against all and ultimately reborn, Victoria Jones is hard to love, but very easy to root for.—Publisher’s Weekly

Anyone who’s watched Sheryl Sandberg’s popular TED Talk, “Why We Have Too Few Women Leaders,” is familiar with–and possibly haunted by–the idea of “having it all.” “Perhaps the greatest trap ever set for women was the coining of this phrase,” writes Sandberg in Lean In, which expands on her talk’s big idea: that increasing the number of women at the top of their fields will benefit everyone. Sandberg, the COO of Facebook, encourages women to challenge the common workplace assumption that “men still run the world.” She asks men to be real partners, sharing in the family work that typically leads to a woman’s decision to stay home; she asks women who expect to start a family soon not to check out of work mentally. Sandberg’s critics note that her advice may not resonate with the masses: The Harvard-educated exec can afford a veritable army to help raise her children. But Sandberg’s point–which affects all of us–is that women who have what it takes to succeed at the highest professional level face many obstacles, both internal and external. Lean In is likely to spur the conversations that must happen for institutional changes to take place at work.—amazon.com

Sarah Nickerson, like any other working mom, is busy trying to have it all. One morning while racing to work and distracted by her cell phone, she looks away from the road for one second too long. In that blink of an eye, all the rapidly moving parts of her over-scheduled life come to a screeching halt. After a brain injury steals her awareness of everything on her left side, Sarah must retrain her mind to perceive the world as a whole. In so doing, she also learns how to pay attention to the people and parts of her life that matter most. In this powerful and poignant New York Times bestseller, Lisa Genova explores what can happen when we are forced to change our perception of everything around us. Left Neglected is an unforgettable story about finding abundance in the most difficult of circumstances, learning to pay attention to the details, and nourishing what truly matters.==amazon.com

I tell of a time, a place, and a way of life long gone. For many years I have had the urge to describe that treasure trove, lest it vanish forever. So, partly in response to the basic human instinct to share feelings and experiences, and partly for the sheer joy and excitement of it all, I report on my early life. It was quite a romp. So begins Mildred Kalish’s story of growing up on her grandparents’ Iowa farm during the depths of the Great Depression. With her father banished from the household for mysterious transgressions, five-year-old Mildred and her family could easily have been overwhelmed by the challenge of simply trying to survive. This, however, is not a tale of suffering. Kalish counts herself among the lucky of that era. She had caring grandparents who possessed—and valiantly tried to impose—all the pioneer virtues of their forebears, teachers who inspired and befriended her, and a barnyard full of animals ready to be tamed and loved. She and her siblings and their cousins from the farm across the way played as hard as they worked, running barefoot through the fields, as free and wild as they dared. Filled with recipes and how-to’s for everything from catching and skinning a rabbit to preparing homemade skin and hair beautifiers, apple cream pie, and the world’s best head cheese (start by scrubbing the head of the pig until it is pink and clean), Little Heathens portrays a world of hardship and hard work tempered by simple rewards. There was the unsurpassed flavor of tender new dandelion greens harvested as soon as the snow melted; the taste of crystal clear marble-sized balls of honey robbed from a bumblebee nest; the sweet smell from the body of a lamb sleeping on sun-warmed grass; and the magical quality of oat shocking under the light of a full harvest moon. Little Heathens offers a loving but realistic portrait of a “hearty-handshake Methodist” family that gave its members a remarkable legacy of kinship, kindness, and remembered pleasures. Recounted in a luminous narrative filled with tenderness and humor, Kalish’s memoir of her childhood shows how the right stuff can make even the bleakest of times seem like “quite a romp.” From the Hardcover edition.

“I have been standing on the side of life, watching it float by. I want to swim in the river. I want to feel the current.”
So writes Mamah Borthwick Cheney in her diary as she struggles to justify her clandestine love affair with Frank Lloyd Wright. Four years earlier, in 1903, Mamah and her husband, Edwin, had commissioned the renowned architect to design a new home for them. During the construction of the house, a powerful attraction developed between Mamah and Frank, and in time the lovers, each married with children, embarked on a course that would shock Chicago society and forever change their lives. In this ambitious debut novel, fact and fiction blend together brilliantly. While scholars have largely relegated Mamah to a footnote in the life of America’s greatest architect, author Nancy Horan gives full weight to their dramatic love story and illuminates Cheney’s profound influence on Wright. Drawing on years of research, Horan weaves little-known facts into a compelling narrative, vividly portraying the conflicts and struggles of a woman forced to choose between the roles of mother, wife, lover, and intellectual. Horan’s Mamah is a woman seeking to find her own place, her own creative calling in the world. Mamah’s is an unforgettable journey marked by choices that reshape her notions of love and responsibility, leading inexorably ultimately lead to this novel’s stunning conclusion. Elegantly written and remarkably rich in detail, Loving Frank is a fitting tribute to a courageous woman, a national icon, and their timeless love story.”-book jacket

But for its lyrical, evocative scenes of life in the Calcutta neighborhood in which her heroes grow up, Jhumpa Lahiri’s The Lowland could be set anywhere, in almost any time. At the center of this heartbreaking story are two very different brothers. Udayan, the younger by 15 months, is passionate, idealistic and ripe for involvement in the political rebellion in 1960s India (not all that different from his American counterparts of the same era.) Subhash is the “good brother,” the parent-pleaser, who goes off to study and teach in America. But when Udayan, inevitably, ends up a victim of his self-made political violence, Subhash steps in and marries his dead brother’s pregnant wife. His is the proverbial good deed that will never go unpunished; Subhash soon becomes a victim of his own goodness. As always, Lahiri’s prose is lyrical and rich and her story is steeped in history, but in this book (more perhaps than The Namesake, her other novel) the issues raised are more universal and the plot more linear. Competitive siblings, parental love, commitment to belief and family, these are the topics one of our most brilliant writers addresses in what is at once her most accessible, and most profound, book yet.—amazon.com

From the moment he was born, Julian Wainwright has lived a life of Waspy privilege. The son of a Yale-educated investment banker, he grew up in a huge apartment on Sutton Place, high above the East River, and attended a tony Manhattan private school. Yet, more than anything, he wants to get out–out from under his parents’ influence, off to Graymont College, in western Massachusetts, where he hopes to become a writer. When he arrives, in the fall of 1986, Julian meets Carter Heinz, a scholarship student from California with whom he develops a strong but ambivalent friendship. Carter’s mother, desperate to save money for his college education, used to buy him reversible clothing, figuring she was getting two items for the price of one. Now, spending time with Julian, Carter seethes with resentment. He swears he will grow up to be wealthy–wealthier, even, than Julian himself. Then, one day, flipping through the college facebook, Julian and Carter see a photo of Mia Mendelsohn.Mia from Montreal, they call her. Beautiful, Jewish, the daughter of a physics professor at McGill, Mia is–Julian and Carter agree–dreamy, urbane, stylish, refined. But Julian gets to Mia first, meeting her by chance in the college laundry room. Soon they begin a love affair that–spurred on by family tragedy–will carry them to graduation and beyond, taking them through several college towns, over the next ten years. Then Carter reappears, working for an Internet company in California, and he throws everyone’s life into turmoil: Julian’s, Mia’s, his own. Starting at the height of the Reagan era and ending in the new millennium,Matrimonyis about love and friendship, about money and ambition, desire and tensions of faith. It asks what happens to a marriage when it is confronted by betrayal and the specter of mortality. What happens when people marry younger than they’d expected? Can love endure the passing of time? In its emotional honesty, its luminous prose, its generosity and wry wit,Matrimonyis a beautifully detailed portrait of what it means to share a life with someone–to do it when you’re young, and to try to do it afresh on the brink of middle age. From the Hardcover edition.

“A Moveable Feast is a set of memoirs by American author Ernest Hemingway about his years in Paris as part of the American expatriate circle of writers in the 1920s. In addition to painting a picture of Hemingway’s time as a struggling young writer, the book also sketches the story of Hemingway and his first wife, Hadley. Published after Hemingway’s death, A Moveable Feast is considered by many to contain some of his best writing. Some of the prominent people to make an appearance in the book include Aleister Crowley, Ezra Pound, F. Scott Fitzgerald, Ford Madox Ford, Hilaire Belloc, Pascin, John Dos Passos, James Joyce and Gertrude Stein. The book was edited by Ernest’s fourth wife, Mary Hemingway, and published in 1964.The book contains Hemingway’s personal accounts, observations, and stories of his experience in 1920s Paris. He provides the detail of specific addresses of cafes, bars, hotels, and apartments that still can be found in modern day Paris. The title was suggested by Hemingway’s friend A.E. Hotchner, author of Papa Hemingway, and comes from a conversation the two once had about the city during Hotchner’s first visits there.”-wikipedia

Erin Morgenstern’s dark, enchanting debut takes us to the black and white tents of Le Cirque des Reves, a circus that arrives without warning, simply appearing when yesterday it was not there. Young Celia and Marco have been cast into a rivalry at The Night Circus, one arranged long ago by powers they do not fully understand. Over time, their lives become more intricately enmeshed in a dance of love, joy, deceit, heartbreak, and magic. Author Morgenstern knows her world inside and out, and she guides the reader with a confident hand. The setting and tone are never less than mesmerizing. The characters are well-realized and memorable. But it is the Night Circus itself that might be the most memorable of all.—amazon.com

From the bestselling author of The Double Bind, Skeletons at the Feast, and Secrets of Eden, comes a riveting and dramatic ghost story. In a dusty corner of a basement in a rambling Victorian house in northern New Hampshire, a door has long been sealed shut with 39 six-inch-long carriage bolts. The home’s new owners are Chip and Emily Linton and their twin ten-year-old daughters. Together they hope to rebuild their lives there after Chip, an airline pilot, has to ditch his 70-seat regional jet in Lake Champlain after double engine failure. Unlike the Miracle on the Hudson, however, most of the passengers aboard Flight 1611 die on impact or drown. The body count? Thirty-nine – a coincidence not lost on Chip when he discovers the number of bolts in that basement door. Meanwhile, Emily finds herself wondering about the women in this sparsely populated White Mountain village – self-proclaimed herbalists – and their interest in her fifth-grade daughters. Are the women mad? Or is it her husband, in the wake of the tragedy, whose grip on sanity has become desperately tenuous? The result is a poignant and powerful ghost story with all the hallmarks readers have come to expect from bestselling novelist Chris Bohjalian: a palpable sense of place, an unerring sense of the demons that drive us, and characters we care about deeply. The difference this time? Some of those characters are dead.—amazon.com

Fire and ice to begin, fire and ice to end. And it’s not going to end well, friends: first come the giants, then the all-ravening wolf, and then…The ancient Norse had a cheerless view of the world: the gods are jealous, the elements fierce, the enemies—trolls and giants among them—many, and if you’re lucky you’ll be killed in battle and gathered up to Valhalla, “and there you will drink and fight and feast and battle, with Odin as your leader.” So writes Gaiman (The View from the Cheap Seats, 2016, etc.), famed for his intelligent fantasy novels but long under the spell of that great body of myth. As an English schoolboy, he reveled in Roger Lancelyn Green’s Myths of the Norsemen, a somewhat stodgy but valuable collection (as he notes, as a creature of his time, he was introduced to the Norse by way of the Mighty Thor comic books); now, as an adult, he gets to retell the tales, drawing from Snorri Sturluson’s Prose Edda, sagas in verse, and other sources. As he notes, rightly, that body of work is incomplete and perhaps corrupted by later Christian intrusions, so that it has to be viewed with some degree of suspicion; by the same token, he writes, so many of the goddesses in particular have been “lost, or buried, or forgotten,” overshadowed by the better-known likes of Thor, Odin, and Loki and all their busy kinfolk. Gaiman writes assuredly and evocatively and with a precise eye for the atmospheric detail: “Niflheim was colder than cold, and the murky mist that cloaked everything hung heavily,” he intones, catching the ancient alliteration. There’s plenty of mayhem and gore, and once the gods have had their fun, everything comes “crashing down and crumbling into ash and devastation.” But before that happens and Ragnarok descends, we have this lively book to cheer us along. Superb. Just the thing for the literate fantasy lover and the student of comparative religion and mythology alike. -Kirkus Reviews

A long journey from home and the struggle to find it again form the heart of the intertwined stories that make up this moving novel. Foster teen Molly is performing community-service work for elderly widow Vivian, and as they go through Vivian’s cluttered attic, they discover that their lives have much in common. When Vivian was a girl, she was taken to a new life on an orphan train. These trains carried children to adoptive families for 75 years, from the mid-nineteenth century to the start of the Great Depression. Novelist Kline (Bird in Hand, 2009) brings Vivian’s hardscrabble existence in ­Depression-era Minnesota to stunning life. Molly’s present-day story in Maine seems to pale in comparison, but as we listen to the two characters talk, we find grace and power in both of these seemingly disparate lives. Although the girls are vulnerable, left to the whims of strangers, they show courage and resourcefulness. Kline illuminates a largely hidden chapter of American history, while portraying the coming-of-age of two resilient young women (Booklist)

The world of the woman immortalized in Andrew Wyeth’s haunting painting Christina’s World is imagined in Kline’s (Orphan Train) intriguing novel. The artist meets Christina Olson in 1939 when he summers near her home in Cushing, Maine, introduced by Betsy James, the young woman who knew the Olsons and would become Wyeth’s wife. The story is told from Christina’s point of view, from the moment she reflects on the painting; it then goes back and forth through her history, from her childhood through the time that Wyeth painted at her family farm, using its environs and Christina and her brother as subjects. First encountering Christina as a middle-aged woman, Wyeth saw something in her that others did not. Their shared bond of physical infirmity (she had undiagnosed polio; he had a damaged right foot and bad hip) enables her to open up about her family and her difficult life, primarily as a shut-in, caring for her family, cooking, cleaning, sewing, and doing laundry—all without electricity and despite her debilitating disease. Hope of escape, when her teacher offers her the chance to take her place, was summarily quashed by her father. Her first and only romance with a summer visitor from Boston has an ignoble end when he marries someone in his social class. Through it all, the author’s insightful, evocative prose brings Christina’s singular perspective and indomitable spirit to life. -Publisher’s Weekly

For a thousand years men have denied her existence—Pope Joan, the woman who disguised herself as a man and rose to rule Christianity for two years. Now this compelling novel animates the legend with a portrait of an unforgettable woman who struggles against restrictions her soul cannot accept. When her older brother dies in a Viking attack, the brilliant young Joan assumes his identity and enters a Benedictine monastery where, as Brother John Anglicus, she distinguishes herself as a scholar and healer. Eventually drawn to Rome, she soon becomes enmeshed in a dangerous mix of powerful passion and explosive politics that threatens her life even as it elevates her to the highest throne in the Western world. (From the publisher.)

“Rebecca is a novel of mystery and passion, a dark psychological tale of secrets and betrayal, dead loves and an estate called Manderley that is as much a presence as the humans who inhabit it: “when the leaves rustle, they sound very much like the stealthy movement of a woman in evening dress, and when they shiver suddenly and fall, and scatter away along the ground, they might be the pitter, patter of a woman’s hurrying footsteps, and the mark in the gravel the imprint of a high-heeled satin shoe.” Manderley is filled with memories of the elegant and flamboyant Rebecca, the first Mrs. DeWinter; with the obsessive love of her housekeeper, Mrs. Danvers, who observes the young, timid second Mrs. DeWinter with sullen hostility; and with the oppressive silences of a secretive husband, Maxim. Rebecca may be physically dead, but she is a force to contend with, and the housekeeper’s evil matches that of her former mistress as a purveyor of the emotional horror thrust on the innocent Mrs. DeWinter. The tension builds as the new Mrs. DeWinter slowly grows and asserts herself, surviving the wicked deceptions of Mrs. Danvers and the silent deceits of her husband, to emerge triumphant in the midst of a surprise ending that leaves the reader with a sense of haunting justice.”- book jacket

Five-year-old Jack and his Ma live and eat and play and sleep in one room–an 11×11-foot space that is their prison–captives of the terrifying man Jack calls Old Nick. But as Jack grows older and more curious, it becomes clear that the room will not be able to hold him and Ma forever. Michal Friedman shines as Jack; her narration is haunting and compelling in its every inflection and tone. The voice she creates for Jack is so convincing, listeners may even mistake her for an actual child. Her powerful performance is complemented by Robert Petcoff’s sinister Old Nick, and Ellen Archer’s portrayal of resourceful Ma, whose gentle voice is infused with patience, terror, and hope. The chemistry between the players creates a gem of an audiobook that will haunt listeners long after the story’s end. (Publisher’s Weekly)

Likely to be dubbed the Native American To Kill a Mockingbird, Louise Erdrich’s moving, complex, and surprisingly uplifting new novel tells of a boy’s coming of age in the wake of a brutal, racist attack on his mother. Drawn from real-life statistics about racially inspired attacks on our country’s reservations, this tale is forceful but never preachy, thanks in large part to Erdrich’s understated but glorious prose and her apparent belief in the redemptive power of storytelling.—amazon.com

Set during the hazy, enchanting, and martini-filled world of New York City circa 1938, Rules of Civility follows three friends–Katey, Eve, and Tinker–from their chance meeting at a jazz club on New Year’s Eve through a year of enlightening and occasionally tragic adventures. Tinker orbits in the world of the wealthy; Katey and Eve stretch their few dollars out each evening on the town. While all three are complex characters, Katey is the story’s shining star. She is a fully realized heroine, unique in her strong sense of self amidst her life’s continual fluctuations. Towles’ writing also paints an inviting picture of New York City, without forgetting its sharp edges. Reminiscent of Fitzgerald, Rules of Civility is full of delicious sentences you can sit back and savor.—amazon.com

In the summer of 1942, the French police arrested thousands of Jewish families and held them outside of Paris before shipping them off to Auschwitz. On the 60th anniversary of the roundups, an expatriate American journalist covering the atrocities discovers a personal connection—her apartment was formerly occupied by one such family. She resolves to find out what happened to Sarah, the 10-year-old daughter, who was the only family member to survive. The story is heart-wrenching, and Polly Stone gives an excellent performance, keeping a low-key tone through descriptions of horror that would elicit excessive dramatics from a less talented performer. Her characters are easy to differentiate, and her French accent is convincing. De Rosnay’s novel is captivating, and the powerful narration gives it even greater impact—Publisher’s Weekly

The fateful first meeting of Enza and Ciro takes place amid the haunting majesty of the Italian Alps at the turn of the last century. Still teenagers, they are separated when Ciro is banished from his village and sent to hide in New York’s Little Italy, apprenticed to a shoemaker, leaving a bereft Enza behind. But when her own family faces disaster, she, too, is forced to emigrate to America. Though destiny will reunite the star-crossed lovers, it will, just as abruptly, separate them once again—sending Ciro off to serve in World War I, while Enza is drawn into the glamorous world of the opera . . . and into the life of the international singing sensation Enrico Caruso. Still, Enza and Ciro have been touched by fate—and, ultimately, the power of their love will change their lives forever.—Back cover

The only thing that’s “storied” in the life of A.J. Fikry, a curmudgeonly independent bookseller, in this funny, sad novel from Zevin (The Hole We’re In), is his obvious love of literature—particularly short stories. Fikry runs Island Books, located on Alice Island, a fictional version of Martha’s Vineyard. It’s a “persnickety little bookstore,” in the words of Amelia Loman, the new sales rep for Knightley Press. Her first meeting with Fikry does not go well. He’s disgruntled by the state of publishing, and bereft because his beloved wife, Nic, recently died in a car accident. Soon after the meeting, he suffers another loss: a rare first edition of Edgar Allan Poe’s poem Tamerlane (Fikry’s primary retirement asset) goes missing. But then Fikry finds an abandoned toddler in his bookstore with a note saying, “This is Maya. She is twenty-five months old.” Somewhat unbelievably, Maya ends up in his care and, predictably enough, opens the irascible bookseller’s heart. The surprisingly expansive story includes a romance between Fikry and Amelia, and follows Maya to the age of 18 before arriving at a bittersweet denouement. Zevin is a deft writer, clever and witty, and her affection for the book business is obvious.-Publisher’s Weekly

“Temple Grandin, Ph.D., is a gifted animal scientist who has designed one third of all the livestock-handling facilities in the United States. She also lectures widely on autism—because Temple Grandin is autistic, a woman who thinks, feels, and experiences the world in ways that are incomprehensible to the rest of us. In this unprecedented book, Grandin delivers a report from the country of autism. Writing from the dual perspectives of a scientist and an autistic person, she tells us how that country is experienced by its inhabitants and how she managed to breach its boundaries to function in the outside world. What emerges in Thinking in Pictures is the document of an extraordinary human being, one who, in gracefully and lucidly bridging the gulf between her condition and our own, sheds light on the riddle of our common identity” –book jacket

“In the middle of tending to the everyday business at her vintage clothing shop and sidestepping her married boyfriend’s attempts at commitment, Iris Lockhart receives a stunning phone call: Her great-aunt Esme, whom she never knew existed, is being released from Cauldstone Hospital—where she has been locked away for over sixty years. Iris’s grandmother Kitty always claimed to be an only child. But Esme’s papers prove she is Kitty’s sister, and Iris can see the shadow of her dead father in Esme’s face. Esme has been labeled harmless—sane enough to coexist with the rest of the world. But Esme’s still basically a stranger, a family member never mentioned by the family, and one who is sure to bring life-altering secrets with her when she leaves the ward. If Iris takes her in, what dangerous truths might she inherit? Maggie O’Farrell’s intricate tale of family secrets, lost lives, and the freedom brought by truth will haunt readers long past its final page.”-book jacket

Bennie is an aging former punk rocker and record executive. Sasha is the passionate, troubled young woman he employs. Here Jennifer Egan brilliantly reveals their pasts, along with the inner lives of a host of other characters whose paths intersect with theirs. With music pulsing on every page, A Visit from the Goon Squad is a startling, exhilarating novel of self-destruction and redemption.—amazon.com

“An atmospheric, gritty, and compelling novel of star-crossed lovers, set in the circus world circa 1932, by the bestselling author of Riding Lessons. When Jacob Jankowski, recently orphaned and suddenly adrift, jumps onto a passing train, he enters a world of freaks, drifters, and misfits, a second-rate circus struggling to survive during the Great Depression, making one-night stands in town after endless town. A veterinary student who almost earned his degree, Jacob is put in charge of caring for the circus menagerie. It is there that he meets Marlena, the beautiful young star of the equestrian act, who is married to August, the charismatic but twisted animal trainer. He also meets Rosie, an elephant who seems untrainable until he discovers a way to reach her. Beautifully written, Water for Elephants is illuminated by a wonderful sense of time and place. It tells a story of a love between two people that overcomes incredible odds in a world in which even love is a luxury that few can afford.”-book jacket

Ten years in the making, Matthew Thomas’s heartfelt debut launches with the gritty poetry of a Pete Hamill novel: brash Irishmen on barstools, Irish women both wise and strong, and the streets of New York splayed out like a song. What’s special about this book is how Thomas takes us, slowly and somewhat unexpectedly, deep inside a family battling the gray-toned middling place of their middle-class existence. At the core is Eileen Tumulty Leary, urging her complacent husband and their impressionable son forward. Along the way, lives come and go. (“Fair enough,” her mother said, and in a little while she was dead.) There are some gorgeous scenes, some taut lines (I liked the air-conditioning unit’s “indefatigable wind”), and some heartbreakers (a mother tells her son, at the funeral home, “That’s probably enough”). It’s thrilling to see an emerging writer test and flex his voice. Eileen and her husband are “coconspirators in a mission of normalcy”; in truth, there’s occasionally too much normalcy in these 600 pages. Then again, it’s oddly addictive to watch this family unfold, age, and devolve. Intimate, honest, and true, it’s the story of a doomed father and a flawed son and the indefatigable and loving woman who keeps them all together, even as they’re falling apart (amazon.com)

At age 26, following the death of her mother, divorce, and a run of reckless behavior, Cheryl Strayed found herself alone near the foot of the Pacific Crest Trail–inexperienced, over-equipped, and desperate to reclaim her life. Wild tracks Strayed’s personal journey on the PCT through California and Oregon, as she comes to terms with devastating loss and her unpredictable reactions to it. While readers looking for adventure or a naturalist’s perspective may be distracted by the emotional odyssey at the core of the story, Wild vividly describes the grueling life of the long-distance hiker, the ubiquitous perils of the PCT, and its peculiar community of wanderers. Others may find her unsympathetic–just one victim of her own questionable choices. But Strayed doesn’t want sympathy, and her confident prose stands on its own, deftly pulling both threads into a story that inhabits a unique riparian zone between wilderness tale and personal-redemption memoir.—amazon.com

Three German “widow[s] of the resistance,” who spend time together at a run-down castle when World War II ends, embody aspects of the catastrophe that overcame their country. Germany, 1945: in this devastated landscape where “no one was innocent,” there is misery for all and plenty to spare. Guilt, shame, suffering, and silence go hand in hand as the German people emerge from war and fascism, and Europe is awash with displaced persons. Shattuck’s (Perfect Life, 2009, etc.) third novel centers on the von Lingenfels castle, a place of aristocratic indulgence in prewar years, now a ruined shell owned by Marianne von Lingenfels, the widow of Albrecht, one of a group of men who failed in an attempt to assassinate Hitler and were hanged. It’s this group which links Marianne to the two other women and their children, whom she invites to the castle for shelter: Benita Fledermann, widow of the charismatic Constantine, who survived the Russian occupation of Berlin but paid a heavy price; and Ania Grabarek, who walked west, out of the wreckage of Poland, with her two sons and is also keeping secrets about what she has seen and done. In this primer about how evil invades then corrupts normal existence, Shattuck delivers simple, stark lessons on personal responsibility and morality. Inevitably, it makes for a dark tale, more a chronology of three overlapping, contaminated, emblematic lives than a plot. Some final uplift does arrive, however, via the views of the next generation, which apply a useful layer of distance and some hope on the sins of the fathers—and mothers. Neither romantic nor heroic, Shattuck’s new novel seems atypical of current World War II fiction but makes sincere, evocative use of family history to explore complicity and the long arc of individual responses to a mass crime. -Kirkus Review

“This gripping historical novel is based on the true story of Eyam, the “Plague Village,” in the rugged mountain spine of England. In 1666, a tainted bolt of cloth from London carries bubonic infection to this isolated settlement of shepherds and lead miners. A visionary young preacher convinces the villagers to seal themselves off in a deadly quarantine to prevent the spread of disease. The story is told through the eyes of eighteen-year-old Anna Frith, the vicar’s maid, as she confronts the loss of her family, the disintegration of her community, and the lure of a dangerous and illicit love. As the death toll rises and people turn from prayers and herbal cures to sorcery and murderous witch-hunting, Anna emerges as an unlikely and courageous heroine in the village’s desperate fight to save itself.
Exploring love and learning, fear and fanaticism, and the struggle of science and religion to interpret the world at the cusp of the modern era, Year of Wonders is at once a story of unconventional love and a richly detailed evocation of a riveting moment in history. Like Arthur Golden’s Memoirs of a Geisha and A. S. Byatt’s Posession, Year of Wonders blends learning and romance into an unforgettable read.”-book jacket

Novelist Fowler (Exposure, 2011) considered it fate that she would write about Zelda, the wife of celebrated writer Francis Scott Key Fitzgerald: the author’s mother and the famous flapper passed away on the same day. In this frothy offering, readers glimpse the glorious lives of the rich and famous of the Jazz Age. From the moment gorgeous Zelda laid eyes on her officer husband, her days were filled with magical moments, as Scott began to receive critical acclaim, and the pair navigated a social circuit graced by the likes of Ernest Hemingway, Tallulah Bankhead, and Gertrude Stein. But the high life dropped low when Fitzgerald’s good fortune began to fizzle, and his already excessive drinking increased. As her husband grew more distant and distracted, Zelda fell into the arms of a charming Frenchman, but she gave up the romance in hopes of saving her marriage. Could the dazzling literary “It” couple ever find its way back to bliss? Fowler renders rich period detail in this portrayal of a fascinating woman both blessed—and cursed—by fame.–Booklist